(added April 2025)
(added Sep 2024)
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Surinder Warboys will be tutoring a 3-Day Short Course at West Dean College of Arts and Conservation. from 6th Nov. to 9th Nov. 2023
For more information on this course please call the college on 01243 818291 or email them at college@westdean.ac.uk
For information about other Glass Painting courses at the myglassroom studio please see our courses page.
(added June 2023)
Potton Hall is near Saxmundham, Suffolk, post code IP17 3EF
(added Nov 2022)
(added Nov 2022)
I had not travelled to those regions myself, but earlier in the
year I read a book by the Colombian writer Gabriel García
Márquez, which led me to read nearly everything else by him.
Ben and Sarah shared my enthusiasm for García Márquez, only
they had read him in the original Spanish.
My work is
experimental by nature and I work directly with the glass
without preconceived designs to show the client. So it is
important to engage clients as the window takes form. Studio
visits were made and periodically images of progress were sent
to them. They were fellow travellers on a stained glass
exploration! My proposal for the starting point for the window
was that they select a passage from his writing and send it to
me. The words they chose were from One Hundred Years of
Solitude. Spanish text: “Poco después, cuando el carpintero
le tomaba las medidas para el ataúd, vieron a través
de la ventana que estaba cayendo una llovizna de minúsculas
flores amarillas. Cayeron toda la noche sobre el pueblo en una
tormenta silenciosa, y cubrieron los techos y atascaron las
puertas,
y sofocaron a los animales que durmieron a la intemperie.
Tantas flores cayeron del cielo, que las calles amanecieron
tapizadas de una colcha compacta, y tuvieron que despejarlas
con palas y rastrillos para que pudiera pasar el entierro.”
Translated in English: “A short time later, when the carpenter
was taking measurements for the coffin, through the
window they saw a light rain of tiny yellow flowers falling.
They fell on the town all through the night in a silent storm,
and they covered the roofs and blocked the doors and
smothered the animals who slept outdoors. So many flowers fell
from the sky that in the morning the streets were carpeted with
a compact cushion and they had to clear them away with shovels
and rakes so that the funeral procession could pass by.”
The panel is a complex work involving etching, painting,
staining, enamelling and laminating of antique glass. It is a
palimpsest, in which underlying text is faintly visible. The
top-most text was etched and stained several times to achieve
the quality of dappled light. I enjoy making discoveries as I
work, particularly engaging in new techniques such as using a
goose quill and stain of an ink-like consistency on glass.
Surinder Warboys
16th September 2022
(added Aug 2022)
The before and after pictures show the transformation and the dynamic and uplifting effect stained glass can have on the environment as well as being a contemplative medium for the mind.
Window before restoration
(added Oct. 2021)
Antique glass, paint and silver chloride, diaper technique, staining, firing and plating. 'The panel evolved out of thoughts on climate change and coming across an article in which the elephant was referred to as an Environmental Engineer.'
(added Oct. 2021)
Pictures below show two of the three sections:
(added Sept. 2021)
Faculty has been granted for a new stained glass window at St Peter and St Paul’s Church, Fressingfield, Suffolk.
To produce a design on the theme of the Holy Spirit, incorporating an image of a dove. The design of the window: to be similar in style to that of the East Window of All Saints Church Kesgrave: a window which we designed, manufactured and installed in 2016.
This contemporary and uniquely lucid design has been inspired by the abstract notion of the Holy Spirit to which there are many references made in the bible: one being the tongues of flames on the day of Pentecost, at other times, it as been imagined like a dove, descending from the sky with promises of peace and hope as in the Baptism of Christ by Early Renaissance artist Piero della Francesca.
The aim of the design is to bring together the many qualities that come to mind as evocations of the Holy Spirit: a mysterious force of energy, movement, sound, light and grace; a weaving of elemental forms in constant flux, of a world in which we are all inextricably linked. The subtle, yet dynamic presence of the dove, integral to the design, provides a universally recognizable form, to connect and engage the viewer.
Once the design is translated into stained glass it will make a beautiful and bold focal point, high up in the east window of the nave. The rays of coloured light will enhance the interior space and cast lovely reflections on the clerestory walls, moving round inside, as the earth spins and orbits the sun.
The original design in watercolour is by Rowland Warboys and will be translated into glass by Surinder Warboys.
Surinder Warboys is a Member of the British Society of Master Glass Painters (BSMGP) and the Contemporary Glass Society.
Artwork for new window
Work from a series of panels inspired by Charolais cattle exhibited at the Nehru centre in central London.
The eight panels shown at the exhibition are approximately a metre square and depict iron oxide painted images fired and fused onto float glass
An introduction to the artist and her work by David Vass can be read here and an essay 'Opacity and Light' containing reflections on the work by the respected art writer and curator Martin Harrison can be found here.
The introduction, essay and images are taken from the exhibition catalogue accompanying this work. Copies of this catalogue can be purchased from Amazon.